Emeritus Professor MaryAnn Bin-Sallik AO
MaryAnn is a member of the Djaru Nation from the Kimberley region of Western Australia (WA). She was born in Broome W.A. and raised in Darwin, Northern Territory (NT) from the age of nine years. She was the first person form the Aboriginal Community of Darwin to graduate as a trained nurse at the Darwin Hospital in 1962. She was the first Indigenous Australian to gain a Doctorate from Harvard University, in 1989 and; the first Indigenous Australian to work in the Australian Higher Education Sector in 1975. In 2008 on retirement from Charles Darwin University she was made an Emeritus Professor for her outstanding contribution to Indigenous education; in 2017 University of South Australia, her alma mater, made he a Doctor of the University for her contribution to the academy; especially Indigenous higher. That same year, she was awarded an Order of Australia for her contribution to the academy as a an academic, researcher, and mentor.
Melora Noah from the Komet tribe of Mer Island in the Torres Strait, is passionate about remote Indigenous education. As the P&C Association President of Tagai College, Mer Primary Campus she campaigns to create a clear roadmap for remote Indigenous kids from Prep to Paid Work – No Gap! Melora says “We must always ask ourselves why do we educate our children? For me it’s breaking the welfare cycle, teaching my kids something for something, not something for nothing. Through my son Sim, the first Torres Strait Islander on the Indigenous Education program at The Scots College in Sydney, I have come to realise that the corporate arm of Australia, non-Indigenous individuals and families are often there ready to help us. Doors that I found to be traditionally deadlocked to me and my children, they open with great ease through education. But we too must be willing to walk through those doors.” Melora also helps the women in her community. She says “The greatest armour a Meriam woman can put on to face the challenges of today is to be educated. With education comes knowledge; with knowledge comes power; power to speak and to be heard. MABO won proving that our age old Meriam paternal society and structure is very much alive in this day and age and that is why we the Women of MABO must be able to master the art of living in both worlds.”
Celeste has Aboriginal heritage from south western Queensland along with Celtic heritage. Celeste commenced working in remote Aboriginal Communities in the late 1970s in the north west Kimberley’s of W.A. Over many years she has fostered relationships and gained knowledge and experience in Community Engagement and Consultation. Prior to returning to work in remote and rural communities Celeste spent some years working as a Social Planner, (Community Development) and as National Manager for a large private recruitment company in a programme to assist people with non-vocational barriers to employment. In her roles as a Community Engagement and Relations Advisor and Researcher required Celeste to write community engagement plans, write over arching plans for a major company's Key Performance Indicators for the roll out of Cross Cultural Training. Celeste has also been responsible for ensuring that designated cultural heritage areas were clearly marked and non Indigenous stakeholders on the ground, undertook Cross Cultural Training ensuring that all elements of the project understood this significance. This role included liaising and working in partnership with Elders and Traditional Owners.
Australian hip hop artist Ziggy was raised in remote Arnhem Land, later going to boarding school in Sydney alongside founding Director Angus Crichton. Ziggy’s voice whether through music or public speaking, addresses the silenced injustices of Aboriginal Australia as well as other social issues. Lyrically influenced by artists such as Yasiin Bey (Mos Def), Lauryn Hill and Common, along with activists like Charlie Perkins, Gary Foley and Adam Goodes, Ziggy finds passion in giving voice to issues affecting those often unheard. To say Ziggy Ramo’s voice is an important one in the Australian hip hop scene would be a gross understatement – over a very short period it’s become as integral as peers like Briggs and Remi. At a time when artists like A.B. Original are (quite rightly) swinging sledgehammers in their efforts to expose Indigenous issues in this country, Ziggy is right there beside them with a cut-throat razor, slicing deep into the heart of race relations in modern Australia.